55th Biennale Venice SHINRO OHTAKE Scrapbooks

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Alexis Mabille and the Boldini Collection

The Boldini Collection
"Life is Movement."
"In his paintings, his subjects are not simply posing but appear to be in movement, in transition, expressing everything that they are, everything that they were and everything that they want to become." Emilia Cardona (Giovanni Boldini’s wife).



ALEXIS MABILLE

HAUTE COUTURE 2014

Signora in Rosa, Giovanni Boldini

Madame Michelham, Giovanni Boldini

Thank you Maximilian Linz PR Studio, Milano

Penone at Versailles

In 2013 until October 30th , the Italian Artist Giuseppe Penone, will be the guest of Versailles. His sculptures, some of which have been produced specifically for this exhibition, will be presented to the public on the Great Perspective and on the Star Grove.

"Being given the possibility of letting my work dialogue with that of Le Nôtre in Versailles is a great privilege."

Giuseppe Penone

Giuseppe Penone is a sculptor who is attached to natural materials: wood, stone, marble…. He gives life to these materials and extracts their essence, thus setting up that dialogue between nature and culture that he earnestly seeks. His large-scale works will be set down in the Park designed by Le Nôtre like new markers that will find here their right place, in subtle harmony with this prestigious site. Born into a village of Piedmont, the region where he still lives, Penone was associated in his early works with Arte Povera. This movement brought together Italian artists from the end of the 1960s who sought to renew their relationship with materials and invent new visual languages. They also endeavoured to propose a different way of seeing landscapes which took the form of works closely slotted into the natural elements. Mant Artists attempt to play with the concept of Arte Povera but there is nothing "poor" about Penone's artworks.

 At the contrary the majesty of his creations hold well the allure of the Versailles Palace and Gardens.
 

The first experimental works of Penone were executed in the forest, in direct interaction with trees. For example, a bronze hand inserted in a trunk modified the growth of the tree. Only photographs and objects have survived from these works (1968-70). Thereafter, the tree became the artist’s leading motif. Its foliage, the verticality of its trunk and the structure of its branches are its essential forms. The tree embodies the encounter between nature and culture. Penone creates his trees in bronze, a long-lasting material, “a material that fossilises the plant,” as the artists says.



I was mesmerize by the grace and balance of his works, they contribute to

make my experience in Versailles an unforgettable one.